NK / GR / NY cs652

 

 

 

 

 

 

 

 

For me, this trio album, recorded live at Barber Fuji in Saitama, Japan in September 2019, is the most beautiful album of Guilherme that I know. It was mixed, mastered and cover art by Carlos Santos, and released in May 2020 in the middle of the Covid19 crisis. It contains 4 track, each of them being a masterpiece of meditative free improvised chamber music that combines Western aesthetics with Eastern meditative depth. "I" starts with a pulsating pizzicato of the violin and cello, and incredible percussion sounds. Guilherme and Naoki starts then to bow in a distorted, expressive way, and return to "fake" sounds end effects. There is a certain tension in the air, yet at the end everything return to a peaceful synergy. "II", the over 13 minutes long highlight, is similar, yet very different. Again, "fake" sounds of hard-to-guess-origin are omnipresent in the beginning, but then full of expression bowing starts. The final is again more peaceful and joyful, with repetitive, minimal motifs. "III" is a shorter track that combines abstraction and openness with the minimal music elements. The closing "IV" is a 10 minutes long musical journey between West and East with violin sounding sometimes like koto and cello like an approaching thunderstorm.
I am ashamed of not knowing Naoto Yamagishi (born 1979) earlier -- for me one of the most interesting percussion discoveries of the recent years. Maciej Lewenstein