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The
first solo trumpet by Ruth Barberán wasn’t recorded in a
studio.
She decided to edit three tracks recorded at home and one more recorded
by Ferran Fages, because this music reflects her work at that time.
Using air, saliva and water, it sounds as if she uses circular breath,
but she doesn't.
Using objects, it sounds as a multi track recording, but it's not.
Everything was improvised, except tittles and photos.
The snail, an hermaphrodite animal, makes its way alone; with the slime
it makes its own trail.
And she really thinks that Capacity of Loss is the contrary of Loss of
Capacity.
Ruth Barberán, September 2004 |