saxophone can be regarded as merely the smaller, visible part of an instrument,
the more essential remainder of which is hidden inside the body of the
performer. Apart from being a perfect vehicle to project everything emerging
from his imagination to the outside, this part’s influence on the
resulting sound is limited, whereas the invisible parts decide about timbre
and tonguing, durations, dynamics and distortion ... But this is just
one point of view.
Another one: The player is merely the smaller, the visible part of a performer,
whose more essential remainder is hidden inside the body of the saxophone.
Apart from being a perfect vehicle for any demand of a saxophone, the
player’s influence on the resulting sound is limited …
Markus Heinze has been exploring the invisible aspects of instrument and
performer for over a decade, particularly in his free improvisations and
unaccompanied solo work, and meanwhile his saxophones probably did something
similar. The result is an extremely personal and surprising aural cosmos,
audibly influenced by electronic, percussive and non-musical sounds (without
using electronic, percussive and non-musical devices).
Markus Heinze is a member of Le Fou Rohr saxophone quartet (Munich), the
ICI Ensemble Munich, and the saxophone ensemble Rich in Knuckles (Glasgow-Munich);
he is also working in other settings between contemporary, jazz and improvised
music, and as a solo artist.